The past has a way of inserting itself into psychic Melanie Middleton’s life. Living in Charleston and being a realtor of historical homes has placed her in the catbird’s seat in terms of meeting up with many entities that are unsettled and seeking some kind of closure. Enter Jack Trenholm: dark, handsome and brooding, but a man who has worked with her in solving mysteries, and you find another kind of unrest.

When Jack shows up on her doorstep asking a favor, Melanie is totally unprepared for his teenage daughter from a long-ago relationship; a daughter he didn’t know he had. And he is begging Melanie to take in fourteen-year-old Nola for awhile until he and Nola can sort out their rocky relationship. For Nola was led to believe that Jack had abandoned her and her mother Bonnie years ago; now Bonnie is dead, leaving these issues very much unsettled.

Melanie and Nola scarcely have gotten to know each other when Jack’s mother, an antiques dealer, shows up with an antique dollhouse for her new granddaughter. And suddenly, all kinds of shenanigans are unleashed. Strange happenings, like miniature dolls and furniture flying about, things generally in havoc, and unsavory ghosts making appearances and stirring things up.

As if things weren’t dicey enough, Melanie’s Tradd Street home develops serious problems with the foundation, and she has to move into her mother’s house on Legare Street.

As all these events unfold, Melanie discovers the origins of the dollhouse: an old estate on Montagu Street, where the ancient owner, Julia Manigault, has many secrets from her past that are rising up to haunt those around her.

How do an ancient dollhouse, the house on Montagu Street, and the current events around Nola relate to an ancient event in the 1930s? And why is Nola’s mother’s spirit hovering about and seeking its own kind of closure? Will Melanie finally connect with Jack and settle her own unsettled life?

Turning the pages of The Strangers on Montagu Street (Tradd Street), I was fascinated, captivated, and unsettled until I could reach the final page. But that’s not all we’re going to learn about these characters. Another book is on the horizon, and I can’t wait! Five stars.






When Hope McNeill, a long-time employee of the Metropolitan Museum of Art, participated in “Pug Night” at the Met, to honor a deep-pocketed donor, she had no way of knowing how her life would turn upside down afterwards.

For on that very night, someone seemingly whisks away an expensive painting, replacing it with a fake.  The substitution is discovered the next day when the fake appears in the Conservation Studio where Hope spends her days.

With her beloved pug Max in tow, Hope begins sorting through clues that show up mysteriously; first in an e-mail, and then, like some kind of scavenger hunt, they begin to appear next to one or another of the pieces of art in the museum.

We get to enjoy knowing Hope fully, as the tale is told in first person.  Hope is one of those characters who shows us her inner thoughts, as she hurtles down one pathway after another.  We also get to enjoy Max’s characteristics, from his snorting to his various seemingly human dialogues.  He appears to Hope in her dreams, providing one or another new way for her to examine the clues.

But what is Max telling Hope?  And what do the clues really point to in this mysterious quest?  And how do Hope’s new friends Daphne and her pug Madeline add to the picture that is now forming?

I laughed all through this wonderful, colorful journey, and while I didn’t have the mystery completely figured out beforehand, I wasn’t completely surprised, either.

To add to the real flavor that colors the pages all the way through A Pug’s Tale, we also enjoy Hope’s thoughts about her boyfriend Ben, who is away working in another country.  They enjoy Skype moments, just like any other couple.  But will their love last?  And what will finally bring resolution to this wonderful and captivating tale?  Five stars!



Acclaimed author Alison Pace delighted readers with her witty exploration of friendship and love—of both the human and canine variety—in the novel Pug Hill.  In her newest novel, A Pug’s Tale (Berkley Trade Paperback Original; June 7, 2011; $15.00), she transports her trademark wry humor and beloved pugs to the center of an art heist at New York’s Metropolitan Museum of Art.  An irresistible mix of intrigue, behind-the-scenes art knowledge and pugs, A Pug’s Tale is a funny, engaging sequel that is not to be missed.


Three women from very different circumstances have one thing in common.  They have all suffered financial ruin at the hands of a financial manager, and they all now share ownership in a ramshackle beachfront property in Florida.

When they meet to assess their property, they come to a seemingly untenable decision.  They will restore the historic home back to its original beauty, and then sell it.  But they must achieve this in a record amount of time and by doing the work themselves, under the guidance of a local contractor.

The journey brings out all the strengths they weren’t sure they had and forges friendships that will bring more than they could have bargained for.  What happens during the course of this amazing journey will be totally unexpected, with some sad and some victorious moments.

Avery, Nicole, and Madeline will end up with something else they hadn’t expected.  They will discover untapped resources inside themselves that they will carry with them into the future.  But what disasters and obstacles will befall them before they’ve reached their goal?  And what will sustain them in the days, weeks, and months ahead?

Each character was someone I could relate to, even though none of them had experiences I’d enjoyed.  Avery, an architect who had been reduced to a “Vanna White-like” role on the HGTV show she co-hosted with her ex-husband, is frustrated and full of anger; Nicole has a very successful matchmaking business to high-end clients, but something is missing from her life; and Madeline has been a homemaker all of her life, but her current empty nest has her seeking something new to do with her life.

In many ways, they are each ripe for the picking when fate throws them a few curves.  Isn’t it true that what doesn’t kill you makes you stronger?  Each of them is forced to find out the truth of that on their new journey.  I loved that each of the women began to reach out to one another, despite the secrets they tried to hold tight within.  I felt emotionally drawn to them when obstacles popped up, as inevitably they would in such a situation.  None of the women has been trained to do an “extreme makeover” like the one they face.

The contractor, Andrew, is an old family friend to Avery, but the way he seemingly condescends to her, calling her “Vanna” repeatedly, raised my ire.  I could identify with the plight of being diminished by a man who is in a position of power.

I thoroughly enjoyed how Madeline came into her own as the leader and go-to person for organizational skills.

As I turned the pages of Ten Beach Road, I didn’t want the story to end.  Even though I wanted to see what would happen, that satisfaction would come at the price of losing these friendships.  For by this time, I felt as though these women were part of my own friendship circle.  This book earned five stars from me.


Check out the Q & A With Wendy Wax

Author Bio:


“All of my class pictures from Sunshine Elementary School are displayed at the Gulf Beaches Historical Museum on Pass-a-Grille,” says Wendy Wax, speaking about her childhood in St. Pete Beach, Florida. “Fish Broil was the big event every fall and the best days were when we had recess or art class on the beach, but what I remember best is running loose with my friends and exploring every inch of the beach we called our own. Is it any surprise it’s still one of my favorite places in the world? Or that it ended up as the setting in one of my books? It was bound to happen someday.”

Someday came when Wendy began reading about how the lives of so many people, from so many different walks of life, changed dramatically as a result of Bernie Madoff’s Ponzi scheme. It wasn’t long before she was imagining a scenario in which three women face bankruptcy at the hands of an unscrupulous money manager. At the end of the day, these three strangers discover that all that’s left of their savings is shared ownership of a once-glorious beachfront mansion. They’re faced with a choice. They can cut their losses and sell for whatever amount of money they can get, or—in a bid for solvency—accept the backing of a local contractor in order to restore the historic property themselves, bit-by-backbreaking bit.

The basics of her plot and the themes Wendy imagined—women facing adversity, making choices, redefining themselves and discovering the strength of friendship—gave her a wide range of possible settings for TEN BEACH ROAD. When it came time to embrace ambiance, architectural styles, and local color, she chose a
place she knows well, her hometown of St. Pete Beach. It was right for so many reasons. Its tropical climate, dual
cultures of vacationers and residents, and even the current real estate market fit her story well, and presented
challenges her characters might not have faced elsewhere. Of course, it also gave Wendy an opportunity to indulge in researching the Mediterranean-Revival architectural style she so admires and the history of the area, as well as to share her pleasure in magnificent Gulf sunsets and some of her favorite spots in Historic Pass-a-Grille.

Among her fondest memories are visits to her local library. Wendy read voraciously as a child, becoming fast friends with Nancy Drew and Anne of Green Gables. Her love affairs with language and storytelling paid off beginning with her first shift at the campus radio station while studying journalism at the University of Georgia.

Wendy returned home, graduated from the University of South Florida and then worked for the Tampa PBS
affiliate, WEDU-TV, behind and in front of the camera. Her resume includes on air work, voiceovers and production work on a variety of commercial projects and several feature films. She was best-known in the Tampa Bay area as the host of Desperate & Dateless, a radio matchmaking program that aired on WDAE radio, and nationally as host of The Home Front, a magazine format show that aired on PBS affiliates across the country.

The mother of a toddler and an infant when she decided to change careers, Wendy admits it may not have been the best timing in terms of productivity. “I’m still not certain why I felt so compelled to write my first novel at that particular time,” she says, “but that first book took forever.” Since then she’s written six others, including
Magnolia Wednesdays, the Romance Writers of America RITA Award finalist; The Accidental Bestseller and Single in Suburbia. Her novel 7 Days and 7 Nights was honored with the Virginia Romance Writers Holt Medallion Award. Her work has been sold to publishers in ten countries and to the Rhapsody Book Club, and her novel, Hostile Makeover, was excerpted in Cosmopolitan magazine.

Wendy lives in Atlanta, which she has called home for 14 years. A former broadcaster, she spends much of her non-writing time speaking to writer’s groups and book clubs, enjoying time with her husband and sons, and visiting her family in St. Pete. She continues to devour books.


TEN BEACH ROAD/Berkley/Trade Paperback
On Sale May 3, 2011/$15.00 ($17.50 Canada)/0-425-24086-X . 978-0-425-24086-1
Includes the Readers Guide
MAGNOLIA WEDNESDAYS/Jove Books/Mass Market/Reprint
On Sale April 26, 2011/$7.99/0-515-14984-5 . 978-0-515-15984-5
Contact: Joan Schulhafer,, 973-338-7428

or Erin Galloway,