Weller traces Fisher’s life from her Hollywood royalty roots to her untimely and shattering death after Christmas 2016. Her mother was the spunky and adorable Debbie Reynolds; her father, the heartthrob crooner Eddie Fisher. When Eddie ran off with Elizabeth Taylor, the scandal thrust little Carrie Frances into a bizarre spotlight, gifting her with an irony and an aplomb that would resonate throughout her life.
We follow Fisher’s acting career, from her debut in Shampoo, the hit movie that defined mid-1970s Hollywood, to her seizing of the plum female role in Star Wars, which catapulted her to instant fame. We explore her long, complex relationship with Paul Simon and her relatively peaceful years with the talent agent Bryan Lourd. We witness her startling leap―on the heels of a near-fatal overdose―from actress to highly praised, bestselling author, the Dorothy Parker of her place and time.
Weller sympathetically reveals the conditions that Fisher lived with: serious bipolar disorder and an inherited drug addiction. Still, despite crises and overdoses, her life’s work―as an actor, a novelist and memoirist, a script doctor, a hostess, and a friend―was prodigious and unique. As one of her best friends said, “I almost wish the expression ‘one of a kind’ didn’t exist, because it applies to Carrie in a deeper way than it applies to others.”
Sourced by friends, colleagues, and witnesses to all stages of Fisher’s life, Carrie Fisher: A Life on the Edge is an empathic and even-handed portrayal of a woman who―as Princess Leia, but mostly as herself―was a feminist heroine, one who died at a time when we need her blazing, healing honesty more than ever.
As a fan of Carrie Fisher’s books, screenplays, and documentaries, I couldn’t wait to dive into A Life on the Edge. I was not disappointed. I learned new details about her life, her friends, and her work, not to mention how she peeled back “the edifice of her glamour…insisting we meet the messy, funny, flawed woman underneath….” thus becoming her own legend.
Throughout the book, and with the mention of other parts of her celebrated, yet vulnerable and troubled life, I felt even more connected to her. After her death, I watched her One Woman Show Wishful Drinking again, along with Bright Lights, a documentary that reveals so much of the unique relationship between Carrie and Debbie. Yes, they had issues and troubling times, but always they were connected in such a deep way that it was not surprising to those who knew them well that Debbie died one day after her daughter. They could not be separated, even in death.
In one of her letters to the mother of a dying friend, Carrie wrote: “There’s a chance that there’s peace at the end of the march. Peace and companionship with old friends, waiting eagerly for your arrival. Yes, you will be missed. But the best of those who love you will always carry a part of you …You exist as a soft smile…in the midst of a fond memory.”
Carrie’s work, and how she conveyed herself as someone “famous for just being herself,” will keep her alive for those of us who will hang onto the brightness in her as we continue to read and view her works. 5 stars.