Meryl Streep is the most celebrated actress of our time. She’s a chameleon who disappears fully into each character she plays. She never tackles the same role twice. Instead, she leverages her rarified platform to channel a range of dynamic, complicated women—Joanna Kramer, Karen Silkwood, Julia Child, Margaret Thatcher, Katharine Graham—rather than limit herself to marginal roles for which other actresses must settle: Supportive Wife. Supportive Mother. Supportive Yet Utterly Disposable Love Interest. Streep will have none of that.
The once-awkward, frizzy-haired suburban teen blossomed into a rising ingénue on the stage at Vassar College and the Yale School of Drama. She came of age during the women’s movement of the ’60s and ’70s, and has worn her activism on her sleeve even when it was unfashionable. When she reached 40, the age when many leading ladies fade away, Streep plunged forward, taking her pick of parts that interested her and winning a pile of awards along the way. Meanwhile, she remained an unlikely box-office draw, her clout even managing to grow with age: The Devil Wears Prada, starring Streep as the Anna Wintour avatar Miranda Priestly, scored $326 million worldwide.
Journalist and author Erin Carlson documents all of Streep’s Oscars, accents, causes, memes, friendships, and feuds; also exploring the “off-brand” forays into action-adventure (The River Wild) and musicals (Mamma Mia!), and how Streep managed to sneak her feminism into each character. In the spirit of nontraditional bestsellers like Notorious RBG and The Tao of Bill Murray, Queen Meryl is illustrated by artist Justin Teodoro and filled with fascinating lists and sidebars, delivering joy in homage to its unique and brilliant subject.
To describe Queen Meryl as an ode to an amazing actor and person would be an understatement. While there were some details of occasional movies or experiences that I might call slightly tedious, the overall experience of reading about Meryl Streep was something to truly enjoy.
To add to my delight were the drawings that accompanied each chapter.
My enjoyment of her movies, most of which I’ve seen, was enhanced by some personal touches, like how she starred with her toddler daughter Mamie in Heartburn, then her daughter as an adult in Evening, and finally in Ricki and the Flash. I may have missed a few appearances. Personal favorites also included the movie Silkwood and The Devil Wears Prada. Who can deny how Meryl immerses herself fully into her roles?
If you are a fan of the actor, or even some of her personal beliefs about the industry or life in general, you will probably enjoy this book which I give 5 stars.